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  • ALL SHE HAD TO DO WAS TELL
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    Crime House - ALL SHE HAD TO DO WAS TELL

    Clip Description

    ALL SHE HAD TO DO WAS TELL

    CUSTOM MOVIE

    Cast: Tatiana, Max

    Elements: Beating, Tortures, Death, Hanging Imitation Of Suicide


    Tatiana is suspected of being a spy with valuable knowledge, or knowing where a USB memory stick with that knowledge is. One cold winter night, at a bar, in the mood for sex, she unwittingly succumbs to the advances of a counter-spy, and goes up to his hotel room.
    Quickly, he reveals himself as her enemy. He draws a pistol and throws her up against a wall. She stand with her back to the wall. He sits in a chair facing her, pistol on her. He tells her he knows everything, and repeatedly asks her to reveal the information, or tell him where it is. Each time she denies she knows anything, he forces her to strip a little.
    First, he forces her remove her hat, then her scarf, then her coat, with each demand/refusal. Then her blouse. Then her skirt. She is left standing, back against the wall, in her bra, panties, garter belt, high heels and black lacy stockings.
    Each time she strips a little, she refuses to reveal the information, or even admit that she even knows what’s going on.
    The man tell her to unhook her bra and hold it wide. She protests, afraid he will hurt her breasts. He tells her he certainly will do so, and more, if she doesn’t comply.
    She unhooks her bra and holds it wide, exposing her breasts. He points his pistol at one of her breasts and tell her he will shoot her there if she doesn’t tell him what he wants to know. She refuses, again denying any knowledge of what he demands.
    He approaches her and puts the muzzle of the pistol over the nipple of one breast, and asks her again for the information. She still denies any knowledge, but she continues to hold her bra open. He pushes the pistol into her breast, hard against her ribs. She cries with pain, but refuses to give any information. He jabs the pistol several times into her breast, knocking her against the wall with the force, and she gasps with pain each time, but she submits to the abuse and admits nothing.
    He steps back, angered and frustrated. Tatiana is still holding her bra open for him. He fiercely demands she give him the information, or tell him where to find it. When she refuses, he slaps her face. Again he demands, she refused, and he slaps her again. Again, he demands, she refuses and now he strikes her face with his pistol.
    She collapses to the floor. He drags her by her feet into the middle of the room. Her bra comes off as she is dragged. She lies fully extended, on her side, arms above her head. Furious at her, he kicks her in the breasts, rolling her over once. Then again, rolling her completely over, and finally a third time. She rolls onto her back and he stomps once on her breasts. She gasps and bounces off the floor, but takes the punishment. Standing over her, he demands on price of her life she reveal everything. She refuses.
    Her grabs her hair, pulls her up, drags her to the bed and throws her onto it. He shoves her up against the headboard. She is sitting up, back against the headboard. He hold her there by her hair and asks her if she knows what he’s talking about, but just won’t tell him. She finally admits she does know, but will never tell.
    He tells her that if she doesn’t reveal all, he will beat her to death. She spreads her arms wide, exposing herself to his threat, and tells him to go right ahead and kill her.
    Enraged, he punches her in the breasts, again and again and again, harder and harder. She remains sitting up against the headboard, taking each punch, not even trying to protect herself, bouncing with each increasingly harder blow. Occasionally, he punches her in the stomach, just to get her to bend over so he can punch upward into her breasts as they hang down. Gradually, after dozens and dozens of blows right on her nipples, she slowly, gradually, goes limp.
    Her eyes are open, but rolled back. She seems dead, but could be pretending. He takes her by the throat and viciously punches her breast five times. If she is alive, she does not react.
    Disgusted, he throws her across the bed. On her back, she hangs off the edge, arms and head toward the floor, breasts pointed at the ceiling. He straddles her, tells her that he knows she is alive, and grabs her breasts. He pulls her up by her breasts so she is sitting up in front of him, then holds her up by one breast as he slaps her face, back and forth, demanding she not be dead, and to wake up and tell him what he needs to know, or his own bosses will kill him.
    It’s too late. She really is dead.
    He lets her fall back onto the bed, hanging off the edge as before.
    To cover his tracks, he ties her hands behind her, drags her into the hotel closet, ties a rope around her neck in a noose, and hangs her from the closet clothes rack, as if she had been giving herself pleasure with self-asphyxiation. He smiles as he twists one of her nipples, to show his superiority and to degrade her, since she is dead and can no longer feel anything.
    Finally, he rummages through her clothes, and finds the USB memory stick in one pocket. She had it all along. He gives her a look of contempt as he leaves her.

    IF YOU LIKE THIS FILM PLEASE CHECK OUT
    DATING TO THE TRASH
    BEATING AND STRANGLING POLICE WOMAN

    Clip Duration:      23 minutes
    Format Size
    mp41266.46 MB

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    Crime House - ALL SHE HAD TO DO WAS TELL

    Crime House - ALL SHE HAD TO DO WAS TELL

    Crime House - ALL SHE HAD TO DO WAS TELL

    Crime House - ALL SHE HAD TO DO WAS TELL

    Crime House - ALL SHE HAD TO DO WAS TELL

    Crime House - ALL SHE HAD TO DO WAS TELL
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    SYNDICATE 6 - SYNDICATE 6
CUSTOM
«You did a really fantastic job. I cannot tell you how impressed I am. When you see Angelina tied up and tortured, it looked like I was watching that scarecrows movie. Really well done!


I think Judy Yana and Alice m would be a great team. I am really looking forward to working with Judy again. I want to get her in to a Syndicate video at some point to...


I love it. You are a true master»
 
Customer’s Review
 
Starring: Tim as the Trapper, Sally, Angelina, Bella Lenina
 
FETISH ELEMENTS
Crucifix, Tortures, Traps, Twitched mouth. Shooting to the stomach, Bondage, Strangulation with Ropes, Death Stare, Gasping, Sleepy Injection with darts, impalement, Black Stockings, Spy and Police Theme
 
PLOT
Three female agents from FBI had a plan how to catch the Trapper from Syndicate. They decided to play the game with him that can lead him to the wrong track. But all of them just were another victims on terrible lair of the Trapper and he decided to use his new very cruel traps…
 
VERY CRUEL WELL ACTED STORY WITH ENGLISH SUBTITLES


    NOT A GOOD DAY FOR A SPY - NOT A GOOD DAY FOR A SPY
CUSTOM MOVIE

Film Type: Action/Spy film that goes sideways

Actress: Emma

Villain Actors:

Crime
boss: male villain

Betraying
agent: male or female

Costume: Agent outfit, similar to what was used for Super
Agents vs Villains.

Length: 15-20 minutes

Synopsis:

 

Scene
1:

This would be a very brief setting of the stage scene. Emma is an agent working with her partner to bring down a crime leader responsible for large scale distribution of weapons and drugs. Her partner is corrupt and is actually working with this crime leader, and wants
her out of the way. The scene starts with her colleague entering heroffice and explaining that they have a lead on the leader\'s location, a warehouse (or similar location, depending on your available sets). The agent makes her way out. Her colleague calls the gang leader with his cell phone, setting up the betrayal.



Scene 2:

They arrive on the scene, and to the agent’s surprise, the leader is waiting for them. The agent points her gun at the boss and he only approaches closer. The leader gets too close for comfort and she fires her gun to disable him, but her gun is jammed (or loaded with blanks). Her gun was intentionally disabled by her partner. A 2v1 scene breaks out. The agent has the upper hand for a couple
minutes, but ends up completely overwhelmed by the two villains.The villains turn the tables and the agent is subjected to a prolonged beat down. She gets worn down and less defiant throughout the fight. We see some bleeding throughout the fight (nose or mouth). Throughout the scene, we get some shit
talking from the crime boss. The villains also pull at her outfit throughout the fight, tearing open her shirt, ripping off her skirt, and eventually exposing her breasts. She is knocked out at the end of the scene by a sleeper hold. Here\'s the type of fight elements that I would like to see: Restrained

by the arms from behind by one enemy, punches by the other, villains take turns with the beating

Agent choked from behind, punched by other villain Face,belly, and rib punching Punch to the neck that leave the heroine
coughing and stunned Throat lift - slammed against wall

Crawling away, kick to stomach Kicking when down

Pulled up from the ground by her hair

Bearhug

Anything else - be creative!



Scene 3:

She is tied up, Arms over Head. The villains take turns punching her belly and face and taze her. They ber t her to the point that she is knocked out, but not dead. The villains exit, they\'ll come back later when she regains consciousness.

 

Scene 4:

She awakens. She is able to escape her binds (lockpick, wiggle free, or otherwise). Shortly after, her old colleague arrives, and another short fight breaks out. This time, she has the upper hand, and gets the villain locked in a headscissors, then snaps his (or her) neck. The crime boss hears the commotion, and arrives furious. \"You shouldn\'t have done that\". He attacks her, this time even more aggressively. He lands some heavy punches that stun her, then breaks her arms one by one. He throws her to the ground, and straddles her for a ground and pound. He relentlessly punches and slams her face. He pulls out his gun, and brushes it against her naked body. He moves the barrel between
her breasts and fires a shot. She isn\'t completely dead yet. He watches her twitch and tremble for a moment, then shoves the barrel in her mouth and fires the
finishing shot. He stands up, aggressively kicks her corpse once or twice, then leaves. A few body pans follow.

 

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    APACHE DANCING - APACHE DANCING

Premium Custom Movie

Starring: Tatiana. Max. Billy Brag, Edward Petrov, MaryAnn, Annabelle, Alex, actors of mass scenes

«I have to say, first, that your production exceeded my expectations.

The set selection, decoration, and props, were all excellent, even the
posters on the walls.»

From Customer’s Review

 

ELEMENTS:

Dancing, Tango. Apach Dancing, Retro, Beating, Strangulation, Humilation. Body Carrying, BDSM

 

This movie is a tribute to the genre of Apache Dancing. Apache Dance (highly dramatic dance associated in popular culture with Parisian street culture at the beginning of the 20th century)  is sometimes said to reenact a violent \"discussion\" between a pimp and a prostitute. It includes mock slaps and punches, the man picking up and throwing the woman to the ground, or lifting and carrying her while she struggles or feigns unconsciousness. Thus, the dance shares many features with the theatrical discipline of stage combat. In some examples, the woman may fight back.

 

In this music movie the hidden conception of Apache Dance is shown is grotesque sadomasochistic form when during the performance the man starts real violence of woman. It’s thr cruel story between a sailor and a prostitute who tries to steal money from him. In the process of dancing, the sailor switches to beating, the line between dance and reality is gradually erased, the surrounding public involuntarily becomes an accomplice in this offense and murder. The venerable public takes off their masks and tastes animal instincts. The film combines classics and avant-garde provocative modern style.

The actors took special dance master classes to participate in this complex project.

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DATING TO THE TRASH

FANTASY WITHIN FANTASY


    PRISONER ABUSE 2 - PRISONER ABUSE 2
Starring: Angelina, Max

Prisoner Abuse 2
The Interrogator roughly escorts Angelina.  He wears a dark shirt, cargo pants, and dark shoes/boots (similar to Max’s outfit in “Prisoner Abuse”).  Angelina wears a white tank top, dark shorts, and black high heel boots, her hair in a ponytail, light make up/natural look, and no nail polish unless it’s, clear, white, or black.  Her hands are cuffed behind her back.
As the Interrogator escorts her, Angelina protests, saying things like “You can’t just arrest me like this,” “What did I do?” “I have a right to know,” etc.  The Interrogator ignores her.  He shoves her into the room and sits her in a folding chair.  The room is open with a lot of space and the floor is covered with a tarp or plastic.  (Similar to the room where “Prisoner Abuse” takes place)
Angelina looks up at her Captor.
ANGELINA: Whatever you think I did, you have the wrong person-
The Interrogator suddenly punches her in the head.  Angelina is surprised by the attack.  He grabs her by the hair and leans in close to her.
INTERROGATOR: We know you’re a Spy for the Resistance.  We have proof, so don’t bother denying it.
As he speaks, Angelina glares at him.  The Interrogator lets go of her hair.
INTERROGATOR: I suggest you answer my questions truthfully.  Otherwise…
The Interrogator suddenly punches her in the head again.  Again, Angelina is surprised by the attack, but this time she immediately stares back at him without fear.  He punches her again, and then a third time.  Angelina takes the pain and again stares back at him without fear.
INTERROGATOR: You can take a hit.  Good.  Makes it more fun.
He punches her several more times in the head in a few different ways.  Sometimes he hits her with left and right hooks, other times he holds her with one hand while punching her with the other, and a few times he hits her with straight punches to the face.  One final hook knocks her out of the chair and onto the floor.  She pants and groans in pain.
INTERROGATOR: Come on, get up!
He kicks her in the gut.
INTERROGATOR: Get up!
With her injuries and her hands cuffed behind her, it’s a struggle, but she manages to get back to her feet.  The Interrogator pulls out a knife and cuts her tank top, so it falls from her body, exposing her naked breasts.  He puts the knife away and punches her in the head again, causing her to stumble back against the wall, but she manages to stay on her feet.  The Interrogator then batters her with several hard punches to the abdomen that knock the wind out of her and make her double over, but every time she is about to fall, he catches her or holds her up (maybe he holds her up by the throat).  He switches and hits her with more rights and lefts to the head.  The final punch knocks her to the floor.  He walks away.  Angelina tries to breathe and fight through the pain.
The Interrogator returns with a baton.  He forces her back to her feet baters her abdomen with the baton many times.  Every time he hits her, it knocks the wind out of her and makes her double over, groaning/moaning in pain, but every time, the Interrogator catches her or holds her up (maybe he holds her up by the throat).  After one final blow, he finally lets her drop to her knees. He grabs her by the hair, sitting her up, and hits her with more punches to the face.  With every punch, Angelina’s eyes become more dazed until she is knocked out.  He shoves her to the floor, and she lands on her side
Angelina’s limp body is now strung up, her hands cuffed/tied above her head (similar to how Xena was strung up in “Prisoner Abuse”).
The Interrogator throws some water in her face to wake her up.
INTERROGATOR: Have a nice nap?
ANGELINA: Are you actually going to ask me some questions this time?
INTERROGATOR: That was just a taste of what waits for you if you don’t cooperate.  Tell me the location of your Cell’s headquarters.  Who is your Commander?  How many soldiers are there?  And what kind of weapons do they have?
Angelina remains silent.  He grabs her by the throat and leans in close to her face.
INTERROGATOR: Go ahead.  Stay silent.  I love hurting people.  Especially pretty rebel bitches like you.  But, if you answer my questions truthfully, I’ll have no choice but to stop.  We’ll treat your wounds and give you a nice meal.  No more pain.  Or you can die slowly.  I would love nothing more than to beat you to death.  It’s your choice.
Angelina takes a moment to consider his words.
ANGELINA: You really enjoy hurting me that much?
INTERROGATOR: More than you can imagine.
ANGELINA: Then you’d better savor every second of it, because soon you’ll be dead as well and your Empire will fall, you sick fuck!
She spits blood in his face.  The Interrogator chuckles as he cleans his face with a rag.
INTERROGATOR: I was hoping you’d say that.
He hits her with a mixture of rights and lefts to the head and body.  Sometimes he throws a few punches quickly.  Other times, he briefly pauses between punches, so she can feel every hit.  After many punches to the head and body, he switches to the baton.  He takes his time as he batters her body with the baton, making her feel every hit and knocking the wind out of her each time.  If not for her hands being strung up, she would have fallen many times.
He grabs a shock-stick (the same one from “Bloody Interrogation” and “Prisoner Abuse” if possible).  As he holds it close to her body, we finally see fear in her eyes.
INTERROGATOR: Answer my questions and it all stops.
Angelina buries her fear and glares at him with resolve.
He shocks her in the belly, then one of her nipples, then the other nipple, and then finally her pussy.  Each time he shocks for several long seconds, causing her eyes roll back as her body spasms (similar to her reactions when she is shocked in “Bloody Interrogation”).  The last shock knocks her out.
The Interrogator uncuffs/unties her hands and her limp body collapses to the floor.  He rolls her onto her back then throws some more water in her face to wake her up.
As she gets her bearings back, he stands between her legs and lifts them.  Realizing what he is about to do, Angelina’s eyes widen in fear.
INTERROGATOR: I’ll give you another chance.  Answer my questions or I’ll destroy your pussy.
After a few deep breaths, Angelina glares at him with resolve.
ANGELINA: I never wanted children anyway.
The Interrogator stomps on her pussy several times, causing her to cry out in agony.  He takes a second or two between each stomp so she can feel every hit.  Eventually the pain causes her to lose consciousness.  The Interrogator continues to stomp on her pussy a few more times for good measure.
He taps her face and shakes her head to wake her up.  Angelina grabs her sore pussy and rolls onto her side groaning/moaning in pain.
INTERROGATOR: Get up!  Come on, get up!
Summoning all of her strength, Angelina slowly stands.
INTEROGATOR: Impressive.  I’ll make you a deal.  If you can get past me, you’re free to go.
ANGELINA: (Exhausted) Liar!
INTERROGATOR: (Chuckles) Maybe.  What do you have to lose?... Unless you’re finally ready to talk.
Angelina puts up her guard, though she can barely lift her arms.  She throws a couple punches.  They are wild and sloppy, and the Interrogator easily dodges them and pretends to applaud her effort.  She throws another punch, and the Interrogator easily blocks and counters with a hard punch to her head.  She is unable to defend herself as he continues to pummel her with several more punches to the head, mostly right and left hooks, a few straight punches to the face, and punches to the body.  Every punch to the head rocks her and some of the body shots double her over.  Every time it looks like she’s about to fall, he catches her and stands her back up.  Sometimes he holds her as he punches her.  A final right hook knocks her to the floor (she lands on her back).  She is barely conscious.
The Interrogator straightens her out and gets on top of her, straddling her.  He taps her face and shakes her head to wake her up.
INTERROGATOR: This is your last chance.  You won’t have another opportunity after this.
ANGELINA: Good.  I’m tired of hearing your stupid voice.
INTERROGATOR: (Chuckles) Defiant till the end.  I like that.
The Interrogator hits her over and over with many brutal ground n pound rights and lefts to the head.  He alternates a few times, sometimes he holds her with one hand while punching her with the other, sometimes he holds her while hitting her with straight punches to the face, sometimes he hits her with hammer-fists, but he always goes back to ground n pound rights and lefts.  After a few minutes, she eventually dies.  The Interrogator doesn’t notice at first and when he does realize that she is dead, he continues to punch her in the head several more times.  This sequence lasts for about 2-3 minutes.
He decides to take a break from punching and decides to brutalize her pussy some more by doing several running soccer (football) kicks to her pussy.
He then straddles her and goes back to hitting her with several more ground n pound rights and lefts for about another 2 minutes. (Similar angles as before)
The Interrogator finally decides to stop, smiling in satisfaction as he looks down at Angelina’s battered body and gets a sip of water.  Suddenly, gunfire is heard off-camera. The Interrogator grabs his gun and goes to investigate.  The camera pans Angelina’s dead body as more gunfire is heard and the Interrogator is killed off-screen.
Possible POV: Another Resistance Fighter enters, gun drawn, (their face doesn't need to be seen) walking past the dead body of the Interrogator, they discover their dead comrade.
RESISTANCE FIGHTER: Commander.  I found her.  We’re too late.  She’s already dead.  Looks like she didn’t tell them anything.
COMMANDER (V.O.): Copy that.  Finish sweeping the area, then bring her home.
RESISTANCE FIGHTER: Yes sir… (To Angelina) You did good soldier… You did good.
Final body pans ending with a close up of Angelina’s face.
The End

IF YOU LIKE THIS MOVIE PLEASE CHECK OUT
PRISONER ABUSE


    DATING TO THE TRASH - DATING TO THE TRASH
«Thank you!  This is a first-class production.  The scenes were great, just as imagined.  The photography and editing were very professional.  Max was the perfect villain, and Tatiana was absolutely beautiful and sexy, acted superbly, submitted to the beating wonderfully, and 'died' magnificently.  I really appreciated the way she exposed her breasts to the punches, reacted to the blows with great force and emotion, and lay exposed, submissive and waiting to be crushed by Max's foot.
The theme of the piece and details were greatly realized.
Tatiana's face was very expressive, yet quite beautiful, with the pain of each punch, and in the final death scene was enthralling».
A beautiful woman in a sexy dress, black stockings and open-tow high heels meets a guy at a bar and invites him to have rough sex with her.   She isn't happy with what the other guys she's asked do to her; they've only slapped her around.

In a fancy hotel, she invites him to get really rough with her, starting by punching her in her breasts.  He does, and she loves it, but he doesn't go for sex.  He rips off the dress, stripping her to her stockings.  He puts a stocking he brought with him around her neck, and begins to strangle her.  She fights, but he continues punching her breasts, harder and harder, until she's dead.  He punches her breasts scores of times until she dies, slowly, submitting to his ever-harder pummeling.  He holds her dead body up by the stocking, and punches her breasts a dozen more times, just for the fun.  She bounces under the blows.

He throws her to the floor, where she lies on her side, stretched out, arms fully above her head.  He kicks her in the breasts, rolling her over once.  He kicks her breasts again, rolling her fully over once more.  A third kick to her breasts, and she rolls completely over, onto her back.  As he approaches her, she spasms in death, arching her back and pointing her breasts up at him.  Her arms are still fully extended above her head.  He puts his foot on her nipples, waits a moment, then slowly pushes down, flattening her breasts, but her spasm keeps her back arched.  He presses down on her for a few long seconds, then suddenly stomps down on her, smashing her to the floor, smashing her breasts.  She lies there motionless while he crushes her breasts under his foot, until finally her head falls to one side, finally totally dead.

He walks over her, stepping on her chest, then drags her by her feet out of the room, managing somehow (we don't care how) to get her outside to a large metal garbage can.  Carrying her body over his shoulder, he shoves her feet first into the can, so her head and arms hang outside the can, her breasts "cut" in half the hard edge of the can.  He decides he doesn't like her like that, so he pulls her out and shoves her in head first, so her sexy stockinged legs and high heels stick out.  He likes that, and smacks her rear with pleasure as he walks away.

IF YOU LIKE THIS FILM PLEASE CHECK OUT
BEATING AND STRANGLING OF POLICEWOMAN

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